Babatunji
Saturday, August 29, 2026, 3:00pm - ASL Interpretation Provided
In their new duet, Babatunji and Hadassah Perry work together to create F (Work In Progress), a query of what can come from the quest for freedom.
The subjectivity of freedom in America is inescapable. “Freedom” is now synonymous with homogeneity and bigotry, a freedom to hate. F reimagines freedom through experiences of love, frivolity, imagination, and tenderness. What happens when we give ourselves the freedom to be ourselves?
Babatunji is a dance artist, choreographer, and creative innovator based out of Oakland, CA.
Though never formally trained as a child, Babatunji was always moving his body to the beat. At the age of 15, he discovered the art of hip hop. Following this epiphany of love, he grew up through his teens breaking and popping on street corners in Hilo, Hawai’i. After being “discovered” by a local dance instructor, he began his formal training at Center Stage Dance Alliance in various styles of dance, including ballet. This training would lead him to Lines Ballet’s Training Program, and from there, into LINES Ballet company.
For over a decade, he has worked with one of the greatest American choreographers, Alonzo King. Throughout their time together, Babatunji originated many roles, including the acclaimed “Lift Every Voice” solo in which he’s been blessed to share the stage with Grammy Award-winning vocalist, Lisa Fischer. As a freelance dancer, Babatunji has worked with Post:ballet, SFDanceworks, tinypistol, and Ballare Carmel, and has performed works by choreographers such as Adji Cissoko, Yue Yin, Danielle Rowe, Brett Conway, Rich and Tone Talauega, David Harvey, and Mike Tyus. Additionally, his work for film includes features in Rafael Casal and Daveed Diggs’ Blindspotting on Starz. Most recently he co-starred alongside Misty Copeland in her short art film Flower, which premiered at Tribeca Film Festival in 2023. The San Francisco Chronicle profiled Babatunji’s journey from street performance to the big screen.
Over the past 10 years, Babatunji has developed a unique movement language, blending his background in ballet, contemporary, breaking, and hip hop. He has choreographed for Berkeley Ballet Theater, Boston Dance Theater, Post:ballet, Trolley Dance, SFDanceworks, San Francisco Dance Film Festival, among other Bay Area companies. As a solo artist, Babatunji has performed internationally, collaborating with visual, sound, and technical artists of numerous genres. His work has been seen at Museum of Dance, Lion’s Jaw performance + dance festival, København Danser, and SFJazz in collaboration with Terri Lyne Carrington. In 2015, he was awarded a Princess Grace Award, as well as a Chris Hellman Award for outstanding achievement and promise in the world of dance. In 2022, Babatunji was featured in Dance Magazine’s “Dancer Spotlight - Making New Movement”. Babatunji is immensely grateful to his mom for providing him with every opportunity and the guidance of her wisdom along the way.
@babatunji
Accessibility at ODC
ODC Theater and studios across the ODC Campus are ADA-accessible. Getting to Studio B and Argyle in the ODC Dance Commons involves riding an elevator or climbing one flight of stairs. Our restrooms are gender-neutral and wheelchair accessible. The front row of the ODC Theater is located on the ground floor; all seating beyond the front row requires climbing stairs. Assisted listening devices are available upon request. Please indicate your access needs during the checkout process. Questions?
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ODC is on the ancestral lands of the Ramaytush People in Yelamu. We pay respects to elders past and present, who are still here and part of our community. We recognize that regenerative land management is not new, but is a continuation of practices from Native cultures and from our own ancestors. It is our responsibility to steward the land with care, as our elders did before us.
Arts Access Tickets
ODC offers a limited number of free and/or lower-cost Art Access tickets to every ODC presented performance. For most performances in B. Way Theater, twenty tickets are allocated to the Arts Access tiers. These additionally subsidized tickets, available on a first-come, first-serve basis, are reserved for those for whom price is a barrier. Please contact boxoffice@odc.dance if you or your organization is interested in underwriting the cost of additional Arts Access tickets.
About the Theater
ODC Theater exists to empower and develop innovative artists. It participates in the creation of new works through commissioning, presenting, mentorship and space access; it develops informed, engaged and committed audiences; and advocates for the performing arts as an essential component to the economic and cultural development of our community. This 170-seat venue is the site of over 150 performances a year involving nearly 1,000 local, regional, national and international artists.
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