• Amy Seiwert’s Imagery and ODC Theater Co-Present SKETCH 11: Interrupted

    SKETCH 11: Interrupted pays homage to the worldwide disruption of the pandemic and reconceives Imagery’s original plan on a smaller scale. Seiwert and Needham-Wood used specific tools of deconstruction and reconstruction to expose the inner workings of each piece and lay bare each choreographer’s conscious and unconscious habits.

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  • Kinetech Arts and ODC Theater Co-Present: Passage

    Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.

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  • Kinetech Arts and ODC Theater Co-Present: Passage

    Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.

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  • Kinetech Arts and ODC Theater Co-Present: Passage

    Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.

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  • Kinetech Arts and ODC Theater Co-Present: Passage

    Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.

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  • RAWdance and ODC Theater Co-Present: TAKE 3

    RAWdance’s three Co-Artistic Directors offer an evening of dynamic digital dance, created for the stage and re-envisioned for film. Shadow (part 1), choreographed by Ryan T. Smith and Wendy Rein, brings a quartet of dancers from San Francisco and New York for the first chapter premiere of this deep dive into our digital debris and data-defined identities. Much celebrated, The Healer (2021), choreographed by Katerina Wong, also returns to the screen. In memory of Wong’s late aunt, The Healer mines the ancient history, systems, and beliefs of Traditional Chinese Medicine to shed light on humanity’s innate ability to overcome suffering.

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  • Creative Coping Workshop (Virtual)

    Movement is our first language - the way we continually orient to the world, learn, and adapt throughout our lives. In this workshop, we explore together how we choose to move through the world in relationship to each other, and experience other options available to us in order to increase our ability to enjoy life and move freely

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  • RAWdance and ODC Theater Co-Present: TAKE 3

    RAWdance’s three Co-Artistic Directors offer an evening of dynamic digital dance, created for the stage and re-envisioned for film. Shadow (part 1), choreographed by Ryan T. Smith and Wendy Rein, brings a quartet of dancers from San Francisco and New York for the first chapter premiere of this deep dive into our digital debris and data-defined identities. Much celebrated, The Healer (2021), choreographed by Katerina Wong, also returns to the screen. In memory of Wong’s late aunt, The Healer mines the ancient history, systems, and beliefs of Traditional Chinese Medicine to shed light on humanity’s innate ability to overcome suffering.

    DISCOVER MORE
  • RAWdance and ODC Theater Co-Present: TAKE 3

    RAWdance’s three Co-Artistic Directors offer an evening of dynamic digital dance, created for the stage and re-envisioned for film. Shadow (part 1), choreographed by Ryan T. Smith and Wendy Rein, brings a quartet of dancers from San Francisco and New York for the first chapter premiere of this deep dive into our digital debris and data-defined identities. Much celebrated, The Healer (2021), choreographed by Katerina Wong, also returns to the screen. In memory of Wong’s late aunt, The Healer mines the ancient history, systems, and beliefs of Traditional Chinese Medicine to shed light on humanity’s innate ability to overcome suffering.

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  • ODC Theater Presents inkBoat with Guest Choreographer Ann Carlson: These are the Ones We Fell Among

    Two humans, trapped and transforming, enmeshed and enjoying an endless loop of abstractly absurd and tender tomfoolery. These are the Ones We Fell Among inspired by the movements and metaphors of the elephant, is an evening length world reminiscent of Samuel Beckett and Dr. Seuss. This work erupted from the pandemic and responds to extinction, to fear, to love and to loss.

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  • ODC Theater Presents inkBoat with Guest Choreographer Ann Carlson: These are the Ones We Fell Among

    Two humans, trapped and transforming, enmeshed and enjoying an endless loop of abstractly absurd and tender tomfoolery. These are the Ones We Fell Among inspired by the movements and metaphors of the elephant, is an evening length world reminiscent of Samuel Beckett and Dr. Seuss. This work erupted from the pandemic and responds to extinction, to fear, to love and to loss.

    DISCOVER MORE
  • ODC Theater Presents inkBoat with Guest Choreographer Ann Carlson: These are the Ones We Fell Among

    Two humans, trapped and transforming, enmeshed and enjoying an endless loop of abstractly absurd and tender tomfoolery. These are the Ones We Fell Among inspired by the movements and metaphors of the elephant, is an evening length world reminiscent of Samuel Beckett and Dr. Seuss. This work erupted from the pandemic and responds to extinction, to fear, to love and to loss.

    DISCOVER MORE
  • Creative Coping Workshop (Virtual)

    Movement is our first language - the way we continually orient to the world, learn, and adapt throughout our lives. In this workshop, we explore together how we choose to move through the world in relationship to each other, and experience other options available to us in order to increase our ability to enjoy life and move freely

    DISCOVER MORE
  • ARS MINERVA presents MESSALINA

    An opera composed by Carlo Pallavicino in 1679 - Libretto by Francesco Maria Piccioli. A sex farce with teeth. Clever, lecherous Messalina turns the tables several times on the gullible Emperor Claudius, who is hardly innocent himself. Meanwhile two other couples suffer their own romantic vicissitudes. Furtive assignations, frustrated trysts, kidnappings, betrayals, sudden recognitions, a heroine and a hero both in drag, and a plot as convoluted as only 17th-century Venetian opera can put together, all lead to a reconciliation that will last only as long as Messalina can keep pulling the wool over Claudius’ eyes.

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  • ARS MINERVA presents MESSALINA

    An opera composed by Carlo Pallavicino in 1679 - Libretto by Francesco Maria Piccioli. A sex farce with teeth. Clever, lecherous Messalina turns the tables several times on the gullible Emperor Claudius, who is hardly innocent himself. Meanwhile two other couples suffer their own romantic vicissitudes. Furtive assignations, frustrated trysts, kidnappings, betrayals, sudden recognitions, a heroine and a hero both in drag, and a plot as convoluted as only 17th-century Venetian opera can put together, all lead to a reconciliation that will last only as long as Messalina can keep pulling the wool over Claudius’ eyes.

    DISCOVER MORE
  • ARS MINERVA presents MESSALINA

    An opera composed by Carlo Pallavicino in 1679 - Libretto by Francesco Maria Piccioli. A sex farce with teeth. Clever, lecherous Messalina turns the tables several times on the gullible Emperor Claudius, who is hardly innocent himself. Meanwhile two other couples suffer their own romantic vicissitudes. Furtive assignations, frustrated trysts, kidnappings, betrayals, sudden recognitions, a heroine and a hero both in drag, and a plot as convoluted as only 17th-century Venetian opera can put together, all lead to a reconciliation that will last only as long as Messalina can keep pulling the wool over Claudius’ eyes.

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  • The Velveteen Rabbit

    Brimming with wit, festive costumes, madcap characters and the perfect amount of holiday cheer, ODC/Dance returns to the stage and on-demand with the beloved Bay Area holiday tradition, The Velveteen Rabbit, directed and choreographed by KT Nelson.

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  • The Velveteen Rabbit

    Brimming with wit, festive costumes, madcap characters and the perfect amount of holiday cheer, ODC/Dance returns to the stage and on-demand with the beloved Bay Area holiday tradition, The Velveteen Rabbit, directed and choreographed by KT Nelson.

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  • The Velveteen Rabbit

    Brimming with wit, festive costumes, madcap characters and the perfect amount of holiday cheer, ODC/Dance returns to the stage and on-demand with the beloved Bay Area holiday tradition, The Velveteen Rabbit, directed and choreographed by KT Nelson.

    DISCOVER MORE
  • The Velveteen Rabbit

    Brimming with wit, festive costumes, madcap characters and the perfect amount of holiday cheer, ODC/Dance returns to the stage and on-demand with the beloved Bay Area holiday tradition, The Velveteen Rabbit, directed and choreographed by KT Nelson.

    DISCOVER MORE