The Audacity Players are a group of musical citizens who want to sing our way back to sanity and create a community where everyone can flourish. Join us as we chronicle the rise and fall of Trumpism and the political events of the past 5 years.
The Audacity Players are a group of musical citizens who want to sing our way back to sanity and create a community where everyone can flourish. Join us as we chronicle the rise and fall of Trumpism and the political events of the past 5 years.
Savor an afternoon in the natural beauty of McEvoy Ranch in Sonoma. Raise a glass by the lake, wander the gardens, and thrill to site-specific performances by ODC dancers.
Movement is our first language - the way we continually orient to the world, learn, and adapt throughout our lives. In this workshop, we explore together how we choose to move through the world in relationship to each other, and experience other options available to us in order to increase our ability to enjoy life and move freely
Funsch Dance’s extended-length work, EPOCH, subverts conventional performance models by pushing the limits of duration. In cheeky defiance of Doris Humphrey’s warning “All dances are too long,” EPOCH unfolds over 12 hours, in a gratuitous surplus of movement, interrupted by moments of nothingness, to challenge the valuing of acquisition and excess.
Renew your perspective by opening yourself to art. ODC Theater’s Fall Season hosts a treasure trove of Bay Area artists offering options for in-person and virtual performance.
ODC Theater is proud to present This is Also the Art, Meet the Artist. The Work. The Process. Join a lively conversation between artists and collaborators as they give a glimpse into the process of their works in the liminal times and spaces between performances. See content at various stages of development and ask your questions about how a performance piece lives on offstage.
Kathak artist and choreographer Charlotte Moraga's new work, Mantram, an artistic creation exploring resonance through movement, music, percussion, and vedanta, the world's oldest, unbroken oral tradition. In this piece Moraga seeks out connection in a time when we have become so utterly disconnected, from ourselves, from one another, and from the earth. The music will be composed by renowned musician Alam Khan.
Movement is our first language - the way we continually orient to the world, learn, and adapt throughout our lives. In this workshop, we explore together how we choose to move through the world in relationship to each other, and experience other options available to us in order to increase our ability to enjoy life and move freely
Kathak artist and choreographer Charlotte Moraga's new work, Mantram, an artistic creation exploring resonance through movement, music, percussion, and vedanta, the world's oldest, unbroken oral tradition. In this piece Moraga seeks out connection in a time when we have become so utterly disconnected, from ourselves, from one another, and from the earth. The music will be composed by renowned musician Alam Khan.
Kathak artist and choreographer Charlotte Moraga's new work, Mantram, an artistic creation exploring resonance through movement, music, percussion, and vedanta, the world's oldest, unbroken oral tradition. In this piece Moraga seeks out connection in a time when we have become so utterly disconnected, from ourselves, from one another, and from the earth. The music will be composed by renowned musician Alam Khan.
SKETCH 11: Interrupted pays homage to the worldwide disruption of the pandemic and reconceives Imagery’s original plan on a smaller scale. Seiwert and Needham-Wood used specific tools of deconstruction and reconstruction to expose the inner workings of each piece and lay bare each choreographer’s conscious and unconscious habits.
Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.
Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.
Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.
Through exploring the intersection of movement, science and technology, Kinetech Arts illuminates new ways of creating, collaborating and engaging the audience in subjects that matter.
RAWdance’s three Co-Artistic Directors offer an evening of dynamic digital dance, created for the stage and re-envisioned for film. Shadow (part 1), choreographed by Ryan T. Smith and Wendy Rein, brings a quartet of dancers from San Francisco and New York for the first chapter premiere of this deep dive into our digital debris and data-defined identities. Much celebrated, The Healer (2021), choreographed by Katerina Wong, also returns to the screen. In memory of Wong’s late aunt, The Healer mines the ancient history, systems, and beliefs of Traditional Chinese Medicine to shed light on humanity’s innate ability to overcome suffering.
Movement is our first language - the way we continually orient to the world, learn, and adapt throughout our lives. In this workshop, we explore together how we choose to move through the world in relationship to each other, and experience other options available to us in order to increase our ability to enjoy life and move freely
RAWdance’s three Co-Artistic Directors offer an evening of dynamic digital dance, created for the stage and re-envisioned for film. Shadow (part 1), choreographed by Ryan T. Smith and Wendy Rein, brings a quartet of dancers from San Francisco and New York for the first chapter premiere of this deep dive into our digital debris and data-defined identities. Much celebrated, The Healer (2021), choreographed by Katerina Wong, also returns to the screen. In memory of Wong’s late aunt, The Healer mines the ancient history, systems, and beliefs of Traditional Chinese Medicine to shed light on humanity’s innate ability to overcome suffering.
RAWdance’s three Co-Artistic Directors offer an evening of dynamic digital dance, created for the stage and re-envisioned for film. Shadow (part 1), choreographed by Ryan T. Smith and Wendy Rein, brings a quartet of dancers from San Francisco and New York for the first chapter premiere of this deep dive into our digital debris and data-defined identities. Much celebrated, The Healer (2021), choreographed by Katerina Wong, also returns to the screen. In memory of Wong’s late aunt, The Healer mines the ancient history, systems, and beliefs of Traditional Chinese Medicine to shed light on humanity’s innate ability to overcome suffering.